THE WATCHERS

PUBLIC DATA MEMORIAL

Surveillance in South Korea has reached a global all-time high. This poses important questions of who is watching, who is being watched, and who has access to this information. The activation of these architectural characters is the collection and curation of sensory data transformed into earth. The subsequent curation process creates a subterranean world where data becomes a public commodity, and excavated soil is resituated into programmed topography.

Seoul, South Korea | Fall 2017

In Collaboration with Angeliki Tzifa

Advised by Simon Kim

Exhibited _ The Venice Biennale _ 2018

Exhibited _ PennDesign Year End Show _ 2018